One of the world’s most notorious parasites in the gaming landscape is once again hailed as a hero for his outstanding achievement in pushing agenda riddled political nonsense in the handful of games that he has helped create over the past decade.
And also acting like a little bitch on Twitter.
That’s right, the New York Game Awards show are honoring Neil Druckmann’s achievements, with Naughty Dog’s head of creative to receive the Andrew Yoon Legend Award at the 13th annual award ceremony.
The accolade aims to acknowledge individuals “who have propelled the gaming world forward, celebrating their profound impact on an industry that continues to captivate and connect people worldwide.”
Previous recipients have featured prominent figures such as Xbox head Phil Spencer, Double Fine founder Tim Schafer, Death Stranding creator Hideo Kojima, former Nintendo of America president Reggie Fils-Aimé, and other notable personalities.
Neil, who has spent the past decade milking the same games over and over again, ousted himself with his garbage narrative choices with Uncharted 4 and The Last of Us Part 2, but atlas when it comes to bullshit award ceremonies do you genuinely expect them to actually celebrate those who had a positive impact upon the industry?
Druckmann’s acknowledgment follows two decades in the gaming industry, during which he dedicated his entire career to Naughty Dog. Starting as a programming intern in 2004 with contributions to Jak 3, he later gained acclaim for his significant contributions to the Uncharted franchise.
Or rather, his “significant” contributions weren’t all that significant, considering how the entire Uncharted franchise was actually written by the legendary Amy Hennig, who just so happens to be a woman.
Why is the fact that Amy Hennig is a woman important? Well the usual journalistic press loves to dote on about how there are no women in the video game industry, how the industry must do better to cater towards women, to propel women higher up the totem pole in leading roles, regardless of whether or not they had actual talent and merit to those positions but the fact that they’re female is enough to validate that apparently.
Amy Hennig was the goddamn creative mastermind behind the the Legacy of Kain franchise and Naughty Dog’s Uncharted franchise, Neil Druckmann on the other hand is a self described male feminist who would do just about “anything” to cater his products and company to women.
Which is why Neil Druckmann and Bruce Straley, both of whom were directors for TLOU, they essentially ousted Amy Hennig from Naughty Dog, tossing out her entire fucking script for Uncharted 4 during the latter portions of its development and essentially forced his employees to work a “crunch schedule” of 12 working hours or more. as an entirely brand new script was conjured up.
Players thought Uncharted 4 was a step in the wrong direction for the franchise, which has seemingly been tarnished by social justice values.
But why was Amy Hennig, a woman, ousted from Naughty Dog by Neil Druckmann? A self proclaimed male feminist and ally, that’s because Amy Hennig didn’t adhere to the cancerous woke leftist ideology as Anita Sarkeesian despite proclaiming to be a champion of women’s rights.
Anita Sarkeesian being a notorious gaming hating feminist had a lot of involvement in the developmental process for The Last of Us Part 2 and most certainly slept with Neil given her promiscuous nature, she was also one of the first people to stir up the social media mobs against normal games, targeting heterosexual White and Asian gamers.
But she assures me that Gamergate is all about harassing women and minorities though.
Despite the fact that Gamergate all started when Zoe Quinn’s former partner revealed evidence that she cheated on him with 5 different men. This is the origin story for the Zoe Quin “Five Guys” meme.
Zoe Quinn was sleeping around, there it was found out that she slept with some loser “game journalist” to get a good review for her non-game called Depression Quest which was utter shit.
People then began to ask questions about the entire video “journalist” community, and found out that they were all colluding behind the scenes with each other and companies to push narratives and shill shit in return for money and access.
In response, these pieces of shit who call themselves “journalists” all tried to disprove this by making the same copy/paste articles in dozens of different sites trying to claim how “Gamers are Dead” and how they were all misogynist and shit.
Zoe Quinn and Anita Sarkeesian are self-appointed ambassadors of video gaming, when in reality they’re garbage human beings who seek to destroy the video game industry by pushing woke fundamentalist bullshit inside of it.
Anita Sarkeesian weaseled her way into the creative process of The Last of Us Part 2, which is understandable given how Neil Druckmann himself isn’t concerned about the word “fun” when it comes to video games, because to him, video games are like interactive movies, shitty interactive movies plagued with woke idealist agendas and forced diversity and inclusivity for the sake of ticking off several ESG checkboxes.
“Neil Druckmann’s story is an inspirational one of self-determinism,” said NYVGCC president Harold Goldberg.
“He worked his way from an internship all the way up to being a co-president at Naughty Dog. His skill for creating titles that consistently redefine cinematic gameplay and human-centric storytelling not only deserves celebrating, but his efforts to create characters that represent diverse backgrounds and perspectives have enriched content in AAA games. His brilliant work has been lauded with multiple New York Game Awards over the year, and we are honored to recognize him as this year’s Andrew Yoon Legend Award winner.”
Tell me you hate video games without actually saying so, praising an individual for cinematic gameplay, forced diversity injection with a “down to earth” story of revenge and female dominance that people outright despised.
The Last of Us Part 2 took everything that was great about the first game and simply wiped its ass with it. Joel is now a forgotten memory, the playable characters are strictly Ellie and the newly introduced Abby, who looks like a roided up she-hulk you’d swear that she was a man but apparently not.
Abby brutally murders Joel, bashing in his brains with a golf club, right in front of Ellie, who is now a lesbian by the way, but does Ellie take her revenge for the brutal murder of her surrogate father figure?
No, not really. The ending revolves around Ellie and Abby essentially butchering one another on the coastline, Ellie gets the upper hand and was about to drown Abby in the water but decided as an act of mercy to allow our trans hero and co-protagonist to escape via boat. That’s it, the end.
Wonderful isn’t it?
This cinematic marvel was so well received by actual fans of the first game they outright revolted and memed the game into oblivion mocking its atrocious and gruesome cinematic cutscenes, which included a descriptive and immersive sex scene featuring everyone’s favorite she-hulk, Abby.
I guess that’s why the game costed around $220 Million dollars from start to finish, with Sony barely making much of a profit despite millions in digital sales, because quite obviously barely anyone wanted to touch this pile of shit in terms of physical units given how many storefronts were left with stacks upon stacks of unsold copies at launch.
This is Neil Druckmann’s legacy, ousting a woman from Naughty Dog, tarnishing her script for Uncharted 4, producing a woke pile of shit, riding upon the success of The Last of Us by producing an inconsistent DLC, with a sequel that had its entire story leaked, consisted of nothing but psychological trauma and physical abuse between a trans woman and a lesbian.
I can’t imagine that there’s anyone less deserving of such a prestigious award for “propelling the gaming industry forward” other than Neil Druckmann, for butchering the most overrated franchise in gaming with a woke infested sequel that spits in the face of its predecessor, for milking that very same franchise on repeat for over a decade and for destroying Uncharted.
He who has done absolutely nothing of note, besides pushing “the message” in cinematic movie games happens to be more deserving of a spiteful award that doesn’t actually give a shit about the video game industry at all.
